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Immortal Wise

28 NORTH & SOUTH NOVEMBER 2004

Sporting heroes lend a hand to a pair of entrepreneurs

by Amanda Cropp

Armed with buckets of goo two Christchurch women are immortalising the hands of our sporting heroes, creating up-market collectors' pieces that sell for thousands of dollars.

Sculptors Delia Riley (right) and Jo Arbuckle have successfully persuaded rugby legends like Colin Meads, Tane Norton and Billy Bush, golfer Sir Bob Charles and cricketer Nathan Astle to plunge their paws - grasping ball, club or bat - into the rubbery moulding mix.

The goo sets in under a minute so they mix it on the spot, carting along buckets and moulding powders, and doing the business in some odd places - motel rooms, airports and in Charles' case in the pro shop at Christchurch's swanky Clearwater golf club.

Calling their business Immortaleyes they're unashamedly aiming at serious investors. Arbuckle claims the high end of the sporting memento market is crying out for something a little more edgy than signed balls or rugby jerseys. With a replica hand, fans are "getting a part of that person forever, not just a signature".

Pine Tree Meads dunked his digits in an Auckland hotel, and amid much hilarity Arbuckle describes the reaction of a porter who carried their gear up to the room. "He said. 'I hope you enjoy your stay' and Colin said. 'Oh. we're only here for an hour' then went into the bathroom. The porter looked at us in disgust and when Colin came out we said. 'We hope we haven't ruined your reputation'."

Limited editions of Meads' hand holding a rugby ball have fetched up to $12.000 at charity auctions, and in November two Meads replicas will be auctioned in London to raise money for injured rugby players.

Back in Arbuckle's spartan suburban Parklands garage-cum-studio the two former nurses produce silicon moulds from the hand impressions, then make resin replicas. Painted silver or bronze the finished sculptures are mounted and framed with accompanying signature, a photograph and brief Biography. A comer of Arbuckle's lounge doubles as a gallery, transformed for the purpose during an appearance on Changing Rooms.

The business sprang from a hobby two and a half years ago after Arbuckle and Riley saw torso sculptures at a Nelson craft market. Rather than buy one they decided to have a go at making their own and the stone plaster sculptures rapidly found willing buyers.

During experimentation they used each other as models and cajoled their partners, children (five between them aged six to 12) and even Arbuckle's family dog into posing (paws only).

Torsos cost upwards of $850 and they've made about 40 to date in what is an incredibly messy process. The model is slathered in the rubbery mix and has to stand still for about an hour while it dries. Arbuckle says thankfully the residue washes off in water. "We end up with it all over us and all over them. You get it in your hair and for days afterwards you keep finding bits." People get torsos made as gifts for their partners and Riley says they're not above doing a bit of painless cosmetic surgery if customers so desire. "We can take the bulge off your tummy. It's amazing what taking a few millimetres off in certain places will do. With the painting what you choose to highlight and what you choose to keep dark makes a big difference.''

And no they most definitely do not make replicas of other... er... appendages. "We won't go there."

Initially the pair thought they'd stick with producing stylish torsos, cute copies of babies' hands and feet or romantic replicas of newly wed couples clasping hands. Once they were called on to make a mould in the middle of a wedding ceremony, popping out with their bucket of goo wearing smart pinstriped pinnies over their posh frocks.

However, a commission to immortalise the hands of rugby greats for Christchurch sports bar The Holy Grail convinced them to focus on sporting mementoes. They quickly learned per-severance and a bit of cheek paid dividends. After hearing former Australian rugby league captain Mal Meninga was opening a new show home nearby, the two fronted up with samples of their work in the boot of the car and persuaded him to literally lend a hand.

Riley says every hand is different. Older ones have more character and texture, while former English rugby captain Martin Johnson has the longest fingers she's ever seen.

"Your hand tells your life story. Colin Meads has a wee nodule on his knuckle from when he had rheumatic fever as a child. He's a worker, he's got farmer's hands, and people go, 'Wow, they're so big'."

The sportsperson gets a free sculpture and also receives royalties on each sale. With international markets in their sights, Arbuckle is confident they can cope with most sporting codes, except perhaps tennis. "I'm not sure how we'd do the strings on the racket but I'm sure we could come up with something."

Photo by Jane Wyles